- 88760 - 1 - Opera in the Age of Rousseau Music , Confrontation , Realism

Académie Royale de Musique, see Paris Opéra Acante et Céphise (Rameau), 22; 66; Tables 3.3, 4.7 Acis et Galatée (Lully), programming, Tables 0.1 (1744, 1749, 1752), 1.1, 3.3; 74; 251; 331 Acting, 31; Italian opera, 257; 273; and laughter, 258; Bouffon style, 282; 286; in Daphnis et Alcimadure, 355 Adèle de Ponthieu (Berton, La Borde), 319; described, 327; performances, Table 14.2; Act ii ceremony, 373; Table 14.5 Adieux du goût, Les (Patu and Portelance), 178; 207 Æglé (La Garde), programming, Tables 0.1 (1748, 1751, 1752), 1.1, 1.2, 1.3, 1.4, 4.7; 66; and intimacy, 124; and song, 126 Alceste (Gluck), 54; 314 Alceste (Lully), programming, 66; Table 3.3; at Fontainebleau, 25; 26; décors, 27; admired, 165; parodied, 342; see also Calzabigi. Algarotti, Francesco, Saggio sopra l’opera, 216; 226; Table 14.1 Algieri, Pietro, 21; 230 Aline, Reine de Golconde (Monsigny), recitative: 224; described, 325; performances, Table 14.2; structural features, 368; 373; Table 14.5; quotes Rameau, 370; and Orfeo, 374; 377 Almasis (Royer), programming, Tables 0.1 (1748, 1750), 1.1, 1.3, 1.4, 3.3, 4.7; 66; slavery in, 113 Alphée et Aréthuse (Dauvergne), 10 Amadis de Gaule (Lully), Tables 1.1, 3.3; décors, Fig. 3.2; 75; arranged in 1771, 87; discussed, 166; updated, 86 Amarillis (Cardonne), programming, Tables 1.1, 1.2; 14 Amour et Psyché, L’ (Mondonville), described, 309; and Orfeo, 310 Amours de Ragonde, Les (Mouret), programming, Tables 0.1 (1742–5, 1748–9, 1752), 1.3, 1.4; 35; and song, 126; closing vaudeville, 286; music, 340; influence of, 330 Amours de Tempé (Dauvergne), Tables 3.3, 4.7; 95; 125; and Le Devin du village, 154; parodied, 297; 340 André, Yves, 165 Anseaume, Louis, Bertholde à la ville, 292; Le Chinois, 292 Argenson, Marc-Pierre, comte d’, Table 3.2; 66 Argenson, René-Louis d’, 4; 69; 192; 199 Ariette (type one), 150; in Devin du village, 151; described, 181; sung by young people, 185; disliked, 191; incorporating chorus, 351; in Paladins, 360; see also Da Capo Ariette (type two), 182; 295; Table 11.3; in opéracomique, 306; 313 Armide (Lully), programming, Tables 0.1 (1745–8), 1.1, 1.2, 3.3; 5, 7; Act ii monologue, 41; 50; stage action, 53; 1745 production, 68; 85; 1761 production, 76; 85; admired in 1740s, 163; 165; 177; 210 Arne, Thomas,Don Saverio, 248;The Blind Beggar, 248 Arnould, Sophie, as actress, 46; and récitatif obligé, 49; Dorat’s eulogy, 309 Artigiani arricchiti, Gli (Madama Ciana), Tables 3.3, 9.1, 10.3, 10.4; 240; in London, 246; sources, 274; Table 10.2 Atys (Lully), Tables 0.1 (1747), 1.1; discussed in 1740s, 165; 166; 173 Augustales, Les (Rebel and Francœur): programming, Tables 0.1 (1744), 1.1 Autreau, Jacques, 36; 345